Jumat, 29 Juni 2012

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  • Sales Rank: #2483429 in Books
  • Published on: 1994
  • Binding: Paperback

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Rabu, 27 Juni 2012

[W528.Ebook] Download Meteor Design Patterns, by Marcelo Reyna

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Meteor Design Patterns, by Marcelo Reyna

Accelerate your code writing skills with over twenty programming patterns that will make your code easier to maintain and scale

About This Book
  • Optimize your web application for production use
  • Build views and controllers with minimal effort that will evolve with your application
  • Learn how to maintain a MeteorJS project while it is running in production
Who This Book Is For

This book is for developers who have already had an introductory course with Meteor. Basic knowledge of web development is recommended.

What You Will Learn
  • Use of Jade, Stylus, and CoffeeScript to speed up web development
  • Increase productivity by leveraging the best packages in the community
  • Optimize your site for load speed with advanced publishers and subscribers
  • Leverage the aggregation framework to produce results with big data
  • Master the intricacies of front-end development using Jeet, Bootstrap, CSS animations, and more
  • Optimize your site for search engine visibility
  • Secure your site with Meteor's best practices
  • Track the live status of your application, ensuring all errors have been taken care of
In Detail

With the increasing interest in NodeJS web applications, a new framework, Meteor, has joined the ranks to simplify developer workflows. Meteor is one of the few open source frameworks that has received funding since its early development stages. It builds on ideas from existing frameworks and libraries, offering developers an easy way to develop a prototype app. At the same time, it gives them the tools and flexibility to build a fully fledged production app. Meteor is the weapon of choice for start-ups in today's world.

Meteor Design Patterns cuts through the jargon that most websites play with and gets to the point with simple solutions that will boost your development skills.

We start off with a refresher on the basics of JavaScript programming such as templates, CoffeeScript, the Event Loop, and the Merge Box, amongst others. You then learn how to map real-world data and optimize the data's publishers to output data with the least amount of work done by the server with some subscribe and publish patterns. Next, using front-end patterns, you will learn how to create maintainable and trackable forms, and make our site crawlable by any search engine. Following this, you will see how to optimize and secure the web application and maintain applications without breaking other features. Finally, you will learn how to deploy a secure production-ready application while learning to set up modulus, compose with Oplog tracking and SSL certificates, as well as error tracking with Kadira.

Throughout the book, you will put your skills to practice and build an online shop from scratch. By the end of the book, you will have built a feature-rich online shop.

Style and approach

The book is a practical handbook on how to build an e-commerce web app using Meteor. Every topic ties into the webapp to easily illustrate the concepts that you are learning about.

  • Sales Rank: #542270 in Books
  • Published on: 2015-10-21
  • Released on: 2015-10-21
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x .42" w x 7.50" l, .72 pounds
  • Binding: Paperback
  • 184 pages

About the Author

Marcelo Reyna

Marcelo Reyna is an industrial engineer and a fellow business owner (RetroSoda LLC). While building his company, he realized many business processes could be automated, which is when he decided to take up programming full time. As soon as he realized that programming is his passion, he dedicated 3 years to deeply understand all the aspects of the Meteor framework and how to take web applications built on this into production. Today, he is an avid programmer involved in the technology start-up scene.

Most helpful customer reviews

3 of 3 people found the following review helpful.
Up and Running and with Meteor and learn efficient patterns...
By Lars Lemos
I come from a Java EE background so was looking for a fast paced recipes book.
Found exactly what I needed.

This book contains this most fundamentals instructions from how to set up your development environment from scratch to the introduction to the Front-end patterns and Application patterns, it also include testing Patterns and the most important how to deploy our app to the cloud services.

Although being a small book, the author was able to compact all the necessary information for the best understanding of the reader.
I advice to read this book along with some other reference book or documentation to make the most out of the content that the patterns describe.

What fascinated me more in this book was the fact that I was not expecting to find instruction on how to put my app in production since by the name "Meteor Design Patterns", so you get more than you expected.

The book is worth reading and future reference.

4 of 4 people found the following review helpful.
Good Intermediate/Advanced Level Book on Meteor. Beginners should look elsewhere for an introduction
By eskadah
At the time of writing, this book is one of the few advanced level books on Meteor that are available on the market. This book guides the reader on a number of best practices for real world meteor development.
Furthermore, the author of the book has a number of open source meteor packages that I have found very useful in my own work. So he definitely knows what he is talking about. For instance, the author does a good job
explaining the importance of reactive joins in Meteor projects, the author illustrates the problem from a UI /UX perspective but ultimately breaks down the technical DDP aspects of the problem and most
importantly provides practical solutions to implementing reactive joins in Meteor. I am giving this book 4 stars for a number of reasons. Given the fact that the code samples are in CoffeeScript,
the editing could be better. Its a bit of a chore to read and understand a code sample given the liberal use of tabs, lack of commas and absent parentheses. This point brings me to my second gripe with the book.
The book is very opinionated. The author tries to mitigate this in the first chapter but one chapter to introduce Coffeescript, Jade and Stylus is not enough. Readers that are not already versed in these technologies will not be able to gain much from this book.
All in all, its a very good intermediate/advanced level book on Meteor. Beginners to the Meteor framework should probably look elsewhere for an introduction but they should definitely come back once they are looking for more advanced knowledge

3 of 3 people found the following review helpful.
I plan on using many of there patterns when building my own Meteor applicaitons
By Kevin Nicholas Casault
Let me start by saying I am not a Meteor expert just someone in the process of learning Meteor. Also just to be clear when you read design patterns in the title think reusable solutions or good practices not along the concept of the Gang of 4 design patterns. I feel like the advice in the beginning of the book about using JavaScript (Coffee) and CSS (Stylus) preprocessors and HTML (Jade) template engines could probably be used with any modern JavaScript framework. Probably good advice in general. From Chapter 2 on the book is much more Meteor specific in the solutions it presents. The different types of variables available to Meteor applications was a good discussion for example. As someone learning Meteor, many of the patterns were very helpful as I think about building Meteor applications and what needs to be done to make a Meteor application search engine friendly.

The product order/shopping cart example used through out the book is helpful and easy to understand as the features are added to it through out the book.

The book has been a good learning tool and I can see it being a good tool to refer to in the future as well. The design patterns presented should be helpful even as Meteor matures and changes of time.

There are also many atmosphere packages discussed and recommended in the book to help solve specific problem this is a nice add because searching through packages can be a time consuming.

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Rabu, 20 Juni 2012

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  • Published on: 1605
  • Binding: Paperback

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Minggu, 17 Juni 2012

[A502.Ebook] Free PDF Christopher Columbus, Mariner, by Samuel Eliot Morison

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Christopher Columbus, Mariner, by Samuel Eliot Morison

Christopher Columbus's first journey across thousands of miles of unknown ocean, amid a mutinous crew, was not only one of the most significant achievements of recorded human history but also a demonstration of his supremacy as mariner and navigator. This is the story of Columbus the seaman, told by a skilled navigator who has actually followed Columbus's original courses under sail.

  • Sales Rank: #1461459 in Books
  • Brand: Little Brown & Co (T)
  • Published on: 1955-06
  • Original language: English
  • Number of items: 1
  • Binding: Hardcover
Features
  • Great product!

Most helpful customer reviews

9 of 9 people found the following review helpful.
Five Stars - Period
By Doug - Haydn Fan
Morison's book has been roundly decried for any number of baseless reasons. The work is certainly not an apology for Columbus, but it doesn't start off with the currently in vogue premise that the European discovery of America was the work of the devil. Morison's book remains the foundation of any approach to the life of the great explorer. Over-flowing with data and acute observations, it is world's - and oceans - away from the finicky over-intellectualized stuff that passes as 'serious' biography today. Morison clearly appreciates just those features of Colombus that would be anathema in person to most modern published biographers, generally academics, and not men of action.
Morison set out to trace the actual voyages by duplicating the voyages himself. The result remains fascinating, insightful and engaging. The book's greatest value, apart from this investigation, is the authorial voice - commanding and not afraid to speak out. I found it the right voice for a discussion of Columbus, but many today don't like this, finding it presumptious. Given Morison's scope and knowledge perhaps they are the ones who are presumptious.
For another fine book by Morison see His History of the U.S. Navy in World War II.
A newer edition of this work is avaiable in paperback.

20 of 26 people found the following review helpful.
Mariner yes, but none else.
By Tony
This is one of several books I have been reading to answer the currently raging debate over Christopher Columbus, explorer or Indian slaughterer? Written in the late 1940's, the author Morison spends the first pages of this book hailing Columbus as the "Discoverer of the New World", which we know is not true. Page 1 also states that "This was the most spectacular and most far-reaching geographical discovery ever recorded in human history." This and other terms of unbridled honor almost turned me off, but I later found that Morison balances his opinions well with candid observations of what Columbus did poorly. He clearly points out that Columbus was a terrible scientist and mathemetician, poor governer over people, a self defeating negotiator, and an absolute failure as a colony planner. Although Columbus was generally very compassionate toward the natives, his short comings eventually lead to absolute bedlam in the "Indies" and when faced with this strife, Columbus and his two brothers responded by killing both natives and Spaniards, which further lead to the expulsion of the Columbus brothers from the region. I found the book to be extremely informative and it gave me a clear picture of how Columbus came to be a hero, victim and tyrant at the same time. Morison makes the conclusion that Columbus was an extroardinary seaman and mariner, and he would have been best served if he had stuck with only that. Every other enterprise Columbus tried only lead to failure and shame. I highly recommend the book despite its antiquated writing style. Buy it.

6 of 8 people found the following review helpful.
Christopher Columbus, Mariner
By David A. Tyler
Christopher Colubus, Mariner, is a very enlightening novel concerning Christopher columbus and his travels that made him immortal. By reading this book, I discovered many interesting facts about Columbus. Columbus, known by many different names, was not the Mr. Perfect that some people make him out to be. In fact,his life was far from perfection. As Morison's epic story unfolds , the reader becomes more and more connected with the hero. He was a normal person,seeking a place in the world.The readers also get the chance to balance on the edge of their seats as Columbus deals with mutiny,battles with cannibals, befriends natives, and rescues beautiful girls. He faces diseases, mosquitoes, storms, and quicksand. This wonderful, interesting work of art certainly does old Chris justice. Unfortunately, Columbus is'nt here to read it, nor did he receive the respect or the recognition he deserved at the time that he lived.But, like many renowned people- Mozart, Beethoven, and Van Go to name a few- he received his due credit after death.

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Jumat, 15 Juni 2012

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Speculating Daguerre: Art and Enterprise in the Work of L. J. M. Daguerre, by Stephen C. Pinson

Louis Jacques Mand� Daguerre (1787–1851) was a true nineteenth-century visionary—a painter, printmaker, set designer, entrepreneur, inventor, and pioneer of photography. Though he was widely celebrated beyond his own lifetime for his invention of the daguerreotype, it was his origins as a theatrical designer and purveyor of visual entertainment that paved the way for Daguerre’s emergence as one of the world’s most iconic imagemakers.

In Speculating Daguerre, Stephen C. Pinson reinterprets the story of the man and his time, painting a vivid picture of Daguerre as an innovative artist and savvy impresario whose eventual fame as a photographer eclipsed everything that had come before. Drawing upon previously unpublished correspondence and unplumbed archival sources, Pinson mixes biography with an incisive study of Daguerre’s wide-ranging involvement in visual culture. From his work as a commercial lithographer to his coinvention of the Paris Diorama—a theater in the round in which Daguerre employed natural light and special effects to simulate time and movement in large-scale paintings—here we are given access to Daguerre the artist, whose tireless experimentation, entrepreneurial spirit, and exceptional talent for popular spectacle helped to usher in a new visual age.

Filled with more than one hundred illustrations and including the first complete catalogue of Daguerre’s paintings, works on paper, and daguerreotypes to appear in print, the publication of Speculating Daguerre will be a much-heralded event for anyone with even a passing interest in one of the most fascinating characters in the history of photography.

  • Sales Rank: #991990 in Books
  • Brand: Brand: University Of Chicago Press
  • Published on: 2012-04-23
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.00" h x 1.00" w x 8.50" l, 3.40 pounds
  • Binding: Hardcover
  • 424 pages
Features
  • Used Book in Good Condition

Review
“The breadth and scope of Pinson’s scholarship, as well as the extraordinary range of research undertaken, is deeply impressive. By setting Daguerre’s work as a painter and designer in the Parisian theatre and demonstrating how this led to his central involvement with the Diorama, Pinson describes a visual sensibility and culture that is normally overlooked by photographic historians. This book successfully erodes the mythology surrounding Daguerre and Talbot that has been the mainstay of popular photographic history and for the first time draws the two men closer together in awareness, ambition, and achievement than has previously been acknowledged. Speculating Daguerre is an entirely original, informative, and valuable contribution to the history of photography, where it will appeal to a wide variety of audiences.” (Roger Taylor, De Montfort University, Leicester)

“With clarity, concision, and verve, Stephen Pinson has told the fascinating story of Louis Jacques Mand� Daguerre—artist, illustrator, inventor of photography, and showman extraordinaire. By situating Daguerre’s invention of the daguerreotype within the broader tradition of the speculative arts, Pinson significantly revises our understanding of both the origins of photography and the rich visual culture of nineteenth-century France.”

(Sarah Greenough, Senior Curator of Photographs, National Gallery of Art)

“Speculating Daguerre is exceptional—there is simply nothing like it in the literature of photography or of nineteenth-century French art history. It is not a biography of Daguerre, but rather a detailed examination of his artistic output, of his endlessly inventive methods, of his hunger for status, recognition, and monetary success, all set into the context of the crosscurrents of art theory and art criticism of the time. Pinson’s treatment of the daguerreotype calls into question the historian’s division of painting from early photography and will most certainly force a reexamination of that separation by media theorists and historians and critics of visual culture. A stunning, convincing, and entirely novel examination of Daguerre’s work as an artist and inventor.”

(Joel Snyder, University of Chicago)

“Stephen C. Pinson’s meticulous, sumptuous book helps us appreciate the diversity and fragility of Daguerre’s manifold achievements.” (Literary Review)

“Pinson offers a new, insightful perspective on the origins of photography. In this extensively researched catalogue, the author argues that Daguerre’s place in the history of photography has eclipsed his contribution to the speculative arts in the 19th century. . . . Using a wealth of original sources, Pinson shows how Daguerre’s inventions in reproducing light effects in the popuar and visual arts contributed to the development of photography.” (Choice)

�“Speculating Daguerre . . . for the first time explores in depth the relationship between Daguerre’s career as an artist and a businessman, and his scientific investigations. . . . Richly researched and densely written, [Pinson] demonstrates that Daguerre was primarily concerned with being seen and accepted as an artist.” (Washington Print Club Quarterly)

�“Stephen Pinson approaches his subject with the expert touch of a curator handling an eponymous Daguerrotype plate, tilting the image of Daguerre from one of milky opaqueness to one of sudden, sharply defined relief. Speculating Daguerre is a remarkable book rooted in a decade of exhaustive research. . . . [It] transcends conjecture to provide an authoritative and essential new addition to the literature of early photography and emerge as the key contemporary reference to the work of Daguerre.” (Royal Photographic Society Journal)

�“Pinson provides a unified and compelling reading of a career that has too often been reduced to a succession of unconnected, if not incomprehensible, failures and triumphs. This result is obtained by means of serious archival research; a rich contextualization of the man and the artist via Daguerre’s visual, commercial, and political culture; and sensitivity to Daguerre’s complex artistic aspirations. The reinterpretation is welcome in that it substantiates the diffuse perception of Daguerre as an ‘American in Paris.’” (caa reviews)

�“The rigorously researched and elegantly produced project by New York Public Library curator of photography, Stephen Pinson, attempts nothing less than a complete reexamination and rehabilitation of Daguerre’s expansive contributions to the visual arts.” (Early Popular Visual Culture)

“The book’s strength lies in Pinson’s manipulation of a certain backward-looking perspective. He resists Daguerre’s career to a pre-chapter to photography, even while profiting from the medium’s inescapable pull. After all, the study’s ultimate appeal depends on the fact that most readers will only find Daguerre’s painting and set designs interesting because he subsequently invented photography. Over 150 black-and-white figures, thirty-six color plates, and extensive annexes, which include the most complete catalog of Daguerre’s work, make Speculating Daguerre as beautiful as it is excellent. It is highly recommended to anyone interested in the history of image-making or the problem of balancing the past’s complexity with the interests and arguments that shape present views of it.”
(Technology and Culture)

“What Pinson has uncovered will profoundly alter the way we understand photography’s origin story. . . . Whatever ‘traditional art history’ was a quarter of a century ago no longer exists; the kind of comprehensive art history practiced by scholars like Pinson today has a great deal to contribute to our appreciation of the photograph. Let us hope it might serve as a light to help lead photo history out of the fog of superannuated and reductive theory.” (Photography & Culture)

“Pinson has written a masterful account of his research into the life and work of Louis Jacques Mand� Daguerre. Although known now almost exclusively for his invention of the daguerreotype, Daguerre did much more. Pinson not only rehabilitates his poor artistic reputation, established during the scholarly battle over claims to the ‘invention’ of photography, he also shows us an early nineteenth-century France eager to embrace visual ingenuity and spectacle. . . . Greatly enhances our appreciation of nineteenth-century culture and artistic�production.”
(H-France Review)

“The title of the work, a play on the French terms�sp�culation, sp�culaire, and�sp�culateur, conveys the richness of Pinson’s study—detailed histories of late-eighteenth-century and nineteenth-century theatrical decorations, popular spectacles and optical devices, and the economic and state regulations governing such enterprises—and it also hints at the tome’s wealth of illustrations, ranging from architectural plans for the Diorama to sketches and lithographs of stage decorations, and culminating in a catalogue of works attributed to Daguerre.”
(Nineteenth-Century French Studies)

About the Author

Stephen C. Pinson is the Robert B. Menschel Curator of Photography, as well as the Miriam and Ira D. Wallach Assistant Director of Arts, Prints, and Photographs, at the New York Public Library.

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Exceptional Scholarly Writing
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Exceptional scholarly writing. If you are interested in the period in France and/or early photography, this book will not disappoint you.

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Successful Technological Integration for Competitive Advantage in Retail Settings, by Eleonora Pantano

The advent of new technologies has been an impetus for rapid development in several industries, including the area of retail services. These recent advances push industry leaders to infuse new innovations into their various systems and processes.

Successful Technological Integration for Competitive Advantage in Retail Settings examines the various effects of changing markets and subsequently how these changes cause retailers to meet consumer demand by integrating more sophisticated, advanced innovations in their daily practices. Focusing on corporate strategies, innovation management, and relevant case studies, this book is a pivotal reference source for researchers, practitioners, and developers interested in recent innovation trends within the retailing industry.

  • Published on: 2015-04-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.02" h x .94" w x 8.50" l, 2.75 pounds
  • Binding: Hardcover
  • 405 pages

About the Author

Eleonora Pantano is a Lecturer in Marketing at Middlesex University of London (UK). Prior to joining Middlesex in February 2015, she was post doc research fellow at University of Calabria (Italy) and researcher at Technical University of Eindhoven (The Netherlands). She has a Ph.D. in Psychology of Programming and Artificial Intelligence and a Master Degree in Business Engineering. Her research activities explore marketing management and mainly relate to consumers attitude and acceptance towards new technology-based retail settings, and how business and retail models are implemented in terms of innovation and technology management.

Her findings appear in numerous international journals such as Journal of Marketing Management, International Journal of Information Management, and Journal of Retailing and Consumer Services (she was also guest editor of two special issues for this journal and got the Certificate of Excellence in Reviewing for 2013).

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Rabu, 13 Juni 2012

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Mass Media, People, and Politics in Nigeria, by Luke Uka Uche

  • Sales Rank: #5958606 in Books
  • Published on: 1990-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.75" h x 6.25" w x .75" l, 1.10 pounds
  • Binding: Hardcover
  • 255 pages

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Senin, 11 Juni 2012

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The Tale of Birle (Tales of the Kingdom), by Cynthia Voigt

Thrilling high adventure and heart-stopping romance combine in the second book in the Tales of the Kingdom series from Newbery Medalist Cynthia Voigt, set two generations after The Tale of Gwyn.

Birle has agreed to be wed to the huntsman Muir as an escape from the drudgery of life at her father’s inn—but the moment she looks into the bellflower-blue eyes of the man she comes upon stealing one of her father’s boats, Birle knows she cannot marry Muir. Even after she discovers the mysterious stranger is Orien, a lord, and as unreachable to an innkeeper’s daughter as a star, Birle is determined to travel with him as far as he will allow. Their journey takes Birle to a world far from home, a world where lords may become slaves, where princes rule by fear, and where fortune’s wheel turns more swiftly and dangerously than Birle could have ever imagined.

Previously published as On Fortune’s Wheel, this classic tale features a new look and a new title.

  • Sales Rank: #2180982 in Books
  • Brand: Voigt, Cynthia/ Colucci, Alejandro
  • Published on: 2015-05-26
  • Released on: 2015-05-26
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.25" h x 1.20" w x 5.50" l, .0 pounds
  • Binding: Paperback
  • 432 pages

About the Author
Cynthia Voigt won the Newbery Medal for Dicey’s Song, the Newbery Honor Award for A Solitary Blue, and the National Book Award Honor for Homecoming, all part of the beloved Tillerman cycle. She is also the author of many other celebrated books for middle grade and teen readers, including Izzy, Willy-Nilly and Jackaroo. She was awarded the Margaret A. Edwards Award in 1995 for her work in literature, and the Katahdin Award in 2004. She lives in Maine.

Excerpt. � Reprinted by permission. All rights reserved.
The Tale of Birle Chapter 1
WHAT SHE SAW FIRST WAS a moving shadow. In the trees that bordered the meadow, among their dark trunks, something moved.

She heard nothing to alarm—not over the rush of water and the sweep of wind—but she saw a dark, crouched shape, moving.

The shadow, no more than a darker darkness in the night, crept out from the mass of trees, crept low across the long grass toward the docking place.

No man of the village would move so. A man of the village, come out to check a hastily secured boat, would carry a light. He would come along the path that ran from the village through the Innyard, the path she stood on. No fisherman would be setting off, not at this hour, not on a moonless night when all the stars shining together couldn’t penetrate the dark, windy air. Birle stood motionless, watching.

She herself ought not to be out in the night. Da and Nan would not be pleased to know how she had left her small sisters asleep in the bed they shared, pulled on her skirt and overshirt, and latched the door steathily behind her to tiptoe past the room where her brothers slept, past the room where Da and Nan slept, down the broad staircase, and across the empty public room. In the kitchen, where the banked fire glowed in its ashes, she had put on her boots and taken her cloak from its hook. The dogs, if they heard anything, knew her steps and took no alarm. Da and Nan, if they knew, would be mightily displeased, and they would lay angry words across her shoulders. Aye, they were counting the days left to the spring fair, when they would have her married and gone from their care. Aye, and Birle was counting them, too.

The shadow was human, she had no doubt of that. Only a man or woman would move so, hunched over, gliding along the edge of the river like a beast on the hunt among the long grasses. Watching, Birle let the wind urge her down the path to the docking place. Whatever else, the shadow was up to nothing lawful.

Soaking spring rains had turned the path to mud. Her boots made squishing sounds, so she stepped off the path into the grass. As soundlessly as the shadow before her, but more swiftly, she approached the river.

She should return to the sleeping Inn, she knew that, and rouse her brothers. At the least, she should turn and call out an alarm, to set the dogs barking. But the mystery of the intruder, like the mystery of the night, which had called her from sleep, kept her from doing what she ought.

It wasn’t that she hadn’t heard the tales. There was no child who hadn’t been warned. Some of the warnings spoke of robbers, dangerous especially to a woman, murderous to all; others told of servants so hard used, or so proud-spirited, that they fled their masters, fled even knowing that if the law caught up with them—man or woman—they might be hanged, or have branded on their right palm the mark of the renegade servant. This shadow, she thought, wasn’t a robber. Robbers moved in bands, like wolves. Anyway, robbers were few, here in the remote southern lands of the Kingdom, where the cleared land was rich to farm and the goats and pigs fed to fatness; where even in the sharpest days of winter fish might be taken from beneath the ice of the river; where the forests were filled with game, and the Earl’s huntsmen kept the pathways safe. This was no robber, she was sure of that.

If it was an escaping servant, Birle wouldn’t be the one to return a man or woman to the servant’s life. For all that she was the Innkeeper’s daughter, her own life tasted more like service than freedom—and that was sour in the mouth. But it wasn’t long now, she reminded herself, not many days and she would be wed and away.

Because she moved erect and quickly, she stepped onto the planks of the dock just as the shadow-shape bent over an iron cleat at the far end. The thick boards creaked in the river’s currents. The boat tied there bounced and slapped upon the dark, wind-troubled water. The river was running high and fast, in its spring flood.

The wooden planks echoed her footsteps, making them even louder. The shadow heard her now, and now had arms she could see—gathering in the rope that pulled a boat’s narrow bow to the dock. Secrecy lost, Birle ran to prevent the theft of the boat. The thief did not concern her. She had no desire to catch the thief.

It was too late. Just as she reached it, the shadow—turning an alarmed, pale face—jumped out into the boat and scrambled onto the rowing seat. It dropped its pack onto the floorboards, then bent down to pick up the oar handles. Its arms pushed out, rowing backward. The oars banged against the sides of the boats tied alongside. Not a fisherman, Birle knew, neither a boatman; someone who knew boats would let the current carry him free before trying to put his oars into the water. She stretched her hands out, kneeling on the rough wood, to catch the bow with her hands.

The oars found water, and dug into it. That stroke, aided by the swift current under the boat, was more than Birle could resist. She raised her head to call out, already knowing what they would say to her for not raising the alarm sooner. She filled her chest with air for a sound loud enough to rouse the dogs, who would then rouse the sleeping Inn—and felt her body pulled off-balance, pulled out over the black water, pulled up from the planks and dropped into the river.

Water rose up around her. Birle kept her head, and kept her strong grip on the bow of the boat. She could swim. She had no reason to be afraid. The rowing shadow made grunting noises and she knew why—with her weight at the bow of the boat, it would be hard work at the oars. Her boots filled with cold water, her cloak and skirt were logged down with it, her own weight pulled heavy at her arms. She could imagine how heavy a burden she was to the rower, and the thought pleased her. Slowly, hand over hand, she worked her way around the side.

An oar fell down upon her shoulder, just missing her head. She grabbed the blade with one hand, and held it. “Thief!” she cried. “Thief!”

The thief pulled at the oar, but she held firm. The cloaked shape turned to face her. She couldn’t see the riverbank, but she knew the boat was moving swiftly; the water pulled at her skirt and cloak and boots. She couldn’t see the face but she guessed, from the way the figure sat and turned, that this was a man. His voice confirmed it.

“Let go,” he grunted. “Let go! I’ve no wish to harm you but I will. I warn you. Go off, let go, go away now. You can swim, can’t you?”

Water flooded into Birle’s mouth and prevented her from answering. Her boots were filled with water, and if she had not had one hand on the side of the boat, it would have been hard work to stay afloat. She spat her mouth empty and realized the truth: “Aye, I can, but not dressed as I am.” Because she had no choice, she let go of the oar to have both hands free, and started to haul herself up over the side and into the boat.

The boat rocked under her weight. The thief moved away from her—but for balance, she thought, not for fear. Birle rolled herself over into the boat, thumping down onto the floorboards. Once she was safely in, she moved to crouch in the bow, her legs under her in case she needed to spring. He was a dark shape at the stern, himself crouched.

“I wish you hadn’t done that,” he said, moving toward her. His voice sounded genuinely regretful. “You better take your boots off, because I’m going to have to throw you back into the river. But know this: I am no thief.”

“Oh aye,” Birle answered. She didn’t need to say more. A man taking a boat that wasn’t his was a thief. She tensed her legs and gripped the two sides of the boat. “Try to throw me into the water and you’ll find you’ve tipped the boat as well, and yourself too.”

He froze in place, considering. She was ready for whatever move he might make. “And you,” she asked, “can you swim? I doubt it. It’s not many who have the skill. I doubt you swim any better than you row. Thief.”

“Believe what you like, I’ve told you true,” his voice answered, out of the windy darkness. “Since you’re kind enough to be concerned,” he said, not meaning the words at all, “I’ll promise you I can swim, and strongly.”

Birle was sorry to hear that, but it wouldn’t do to let him guess it. “Aye,” she said, “and which bank will you choose? Or will it be the current choosing for you, and you helpless. You’ve your own boots to take off, that too, before they pull you under.”

He moved, but only to sit down to the oars again. Facing her, he had to row with the broad, flat stern of the boat facing clumsily forward. “I’ll take you to shore.” The bow swung around.

“You’ll not get rid of me without a fight,” Birle promised him. He ignored her, and struggled with the oars. “And what if you lose the boat, with the bears come out from their winter sleep, coming down south where the grubs and berries are more plentiful, and the wolves behind them still carrying their long winter hunger. There’s naught but forest here, one bank or the other, unless you know your way. A man alone in a forest is a sorry creature.”

He lifted the oars out of the rushing water and Birle felt the bow swing, as the current caught it. She smiled to herself: That battle had been won. She stretched her legs out, settling herself more comfortably—if you could call this wet cold comfortable. He sat hunched over, thinking, the oars in his hands. Let him think. Let him see where it would get him. He was a stranger to the river and she was not.

He lifted his head and once again put the oars into the water, once again turning the stern of the boat. She pulled her legs back under her, ready.

“There will be holdings along the river,” he said.

“No, none. Not in this part of the Kingdom, not in the forest. You’ve left the last village behind you.”

He didn’t know whether to believe her. He left the oars in the water but ceased his attempts to row. The boat swung around again. He ought to believe her.

The thick-growing trees made a dark wall on either side of the broad river. The boat moved swiftly, racing the waves that pushed it along. Birle wrung what water she could from her cloak, and waited. She could wish for a fire.

“All right then,” he asked, finally, “what would you do?”

She knew before she spoke it how her answer would anger him. “I’d take the boat to shore.”

“So. There are no bears, no wolves.”

“That I didn’t say. Do you want to hear what I’d do, or do you want to go along in your own unknowing way?”

“I always go my own way,” he announced. “But I’ll hear yours,” he said, for all the world as if he were the Steward listening to a man plea for lower taxes.

“I would tie up for the night,” she told him. “There will be a tree or a low branch at the shore. I’d tie up there, to await daylight—you can use the rope you loosed, when you were stealing the boat.”

“I have told you what I am not.”

He spoke too well for a robber, she thought, or a common servant. He was, at a guess, a city man, one of the Lords’ household servants. She couldn’t think why he would flee from the ease of such a life, but she assured him, “It’s only the boat I want.” She would let him go on his way southward and herself return the boat to its owner. She was shivering over her entire body, with cold. Tied up to the bank, she would at least have protection from the wind. “I’ll row,” she said.

“Thank you, no. I’m fine with it.”

He wasn’t fine. The little boat twisted and rocked with his clumsy rowing. “The work would warm me,” she said.

Without a word he moved himself onto the board that made a seat at the stern of the boat. Shivering, keeping low so as not to upset the balance, Birle settled herself onto the rowing seat, facing him. The oars waited for her hands. She brought the bow around, and pulled strongly for shore. These fishing boats were built to ride high and light on quiet waters, so it would have been foolishness to try to take it back upriver, against the waves and current. She made straight for the low bank. Close enough, she could see a young, straight tree they might safely tie up to.

Up near the bank, the wind spent itself among the trees, and the heat of her body made the wetness of her clothes at least not cold. She left the oars and leaned out from the bow to loop the rope around the tree and then, quickly, before he might get up to mischief, turned back.

He sat watching her, silent.

She settled down into the bow. This was a double safety. He couldn’t untie the boat without waking her, and should he decide to attack she could be out of the boat and in the shelter of the forest before he might do her harm. Bears were there, and wolves, that was true, but not many in this well-hunted forest. On the other side of the river, where no men had settled, such dangers were more common. Birle shivered again, along the whole length of her body.

“You might lend me your cloak,” she asked. He lay on his back along the seat at the stern, with his pack to make a pillow under his head.

“And why might I do that?”

“Aye, my clothes are wet, and cold.”

“Since that results from jumping into the river of your own free choice, it makes no persuasion,” he told her.

“Aye,” she pointed out, “I was chasing after a thief.”

He didn’t answer. Birle fumed: When light came she would be able to identify this boat, which belonged to one of the village fishermen, or might even be one of the Inn’s boats. She tried to think of what to say to this runaway, to show her scorn of him, but no words came to her. Besides, she could hear in his silence that he had fallen asleep. It was easy for him to go to sleep, she thought, wrapped as he was in a dry, warm cloak.

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1 of 1 people found the following review helpful.
My favorite book, my favorite female character, so glad its finally on kindle!
By Lsn1986
This is one of my favorite stories of all time. I first read this book in high school as On Fortunes Wheel and though it is technically the second book in the series, it can strongly stand alone, and you don't need to read Jackaroo or Tale of Gwynn in order to love this book.

Birle is one of my favorite female protagonists that I've ever read. She is strong when she needs to be and vulnerable enough to be realistic. Some people may call this a romance in a way, but more than that it is very much Birle's story that just happens to involve a little bit of a love interest as well as many other characters that greatly influence who Birle is and who she becomes.
A fantistic story in an intriguing world. I have reread this book more than any other book, so I'm pretty sure that makes it my favorote.

1 of 1 people found the following review helpful.
Happy to have finally figured out that they changed the ...
By Richard
Happy to have finally figured out that they changed the names of the books in this series! Purchqse all four books in paperback and on kindle! Love them!

0 of 0 people found the following review helpful.
wonderful
By mkcl
Another great Kingdom story by a wonderful author. The main character is a strong young woman--appealing, courageous, and smart. I just wish they'd just kept the original name (On Fortune's Wheel) for the Kindle version.

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Minggu, 10 Juni 2012

[R652.Ebook] Free Ebook Poetry for Students Vol 23, by Anne Marie Hacht

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Poetry for Students Vol 23, by Anne Marie Hacht

Each volume of Poetry for Students provides analysis of approximately 20 poems that teachers and librarians have identified as the most frequently studied in literature courses. Some of the poems covered in this volume include: Aurora Leigh by Elizabeth Barrett Browning Pine by Kimiko Hahn Song: To Celia by Ben Jonson Lost in Translation by James Merrill Lepidopterology By Jesper Svenbro And more

  • Sales Rank: #9226170 in Books
  • Brand: Gale
  • Published on: 2005-11-19
  • Released on: 2005-11-19
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.30" h x 1.17" w x 8.62" l, 2.94 pounds
  • Binding: Hardcover
  • 360 pages
Features
  • Used Book in Good Condition

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Jumat, 08 Juni 2012

[V217.Ebook] Get Free Ebook Canon EOS 7D Mark II: From Snapshots to Great Shots, by Jeff Revell

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Canon EOS 7D Mark II: From Snapshots to Great Shots, by Jeff Revell

Now that you’ve bought the amazing Canon EOS 7D Mark II, you need a book that goes beyond a tour of the camera’s features to show you exactly how to use the camera to take great pictures. With Canon EOS 7D Mark II: From Snapshots to Great Shots, you get the perfect blend of photography instruction and camera reference that will take your images to the next level! Beautifully illustrated with large, vibrant photos, this book teaches you how to take control of your photography to get the image you want every time you pick up the camera.

Follow along with your friendly and knowledgeable guide, photographer and author Jeff Revell, and you will:

  • Learn the top ten things you need to know about shooting with the 7D Mark II
  • Use the 7D Mark II’s advanced camera settings to gain full control over the look and feel of your images
  • Master the photographic basics of composition, focus, depth of field, and much more
  • Learn all the best tricks and techniques for getting great action shots, landscapes, and portraits
  • Find out how to get great photos in low light
  • Learn the basics behind shooting video with your 7D Mark II and start making movies of your own
  • Fully grasp all the concepts and techniques as you go, with assignments at the end of every chapter

  • Sales Rank: #594367 in eBooks
  • Published on: 2015-03-07
  • Released on: 2015-03-07
  • Format: Kindle eBook

About the Author
Jeff Revell has been shooting professionally for more than 25 years, and has a wide range of expertise in everything from landscape photography to travel and urban photography. As an early adopter of digital technology, he has been on the leading edge of digital imaging technology, education and instruction. Perhaps best known as the photographer behind the popular “PhotoWalk Pro” blog, each weekday Jeff shares step-by-step tutorials on digital photography technique and editing of digital images. The worldwide appeal of Jeff's site, along with his live PhotoWalks have made him one of the most sought after and trusted sources for digital photography training and education. Jeff lives in the Washington, DC, area. Find� him online at http://www.revellphotography.com/blog.

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15 of 15 people found the following review helpful.
OK for the Basics
By Steve Wheeler
I shoot mainly high school sports, and bought the camera for the high fps and the autofocus system, I'm a fan of the Snapshots to Great Shots series was hoping for more in-depth info into the AF cases and how/when to use/customize the AF cases - but there is only one page of content on this topic.

This book was more of a "just the basics" approach, and anyone who suggest shooting action in AV mode (you set the aperture where your camera decides the shutter speed) will pretty much cause me to loose interest as your choice in shutter speed determines whether or not you freeze/blur action. With this camera you can set the shutter speed/aperture in manual mode to freeze action and max out the aperture and use auto ISO plus exposure compensation to better control the challenging lighting situations of outdoor sports - it's clean enough for my needs up to ISO 3200, and usable with NR up to ISO 10000.

If you are an advanced user looking to dig in menu by menu, get Doug Klosterman's Canon 7D Mark II Experience book.

16 of 16 people found the following review helpful.
Entry Level Guide
By G9Traveler
Expected some advance discussion here. This book was written for someone who got a 7D Mark II as their first camera. Did not at all go into advanced features of this camera like multi-exposure like I was seeking. The first Snap Shot book I order on my earlier 60D was written much better.

11 of 11 people found the following review helpful.
So So
By Mike K
I am not even sure how to describe this book. It is not an in depth study of the 7D Mark-II. But it does reference some of the 7D Mark-II settings. It goes into a lot of general photography but not in depth. It is an OK book but you will not learn to use the 7D Mark-II from this book.

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